Friday 20 January 2012

For Clint Eastwood

With the release of the superb award hopeful J.Edgar this week I thought it time to pay homage to one of my favourite film makers Clint Eastwood. His work in front of the camera maybe more popular and revered having starred in possibly the greatest film ever made The Good, The Bad and The Ugly . Whilst also thrilling fans as renegade cop Harry Callahan in the Dirty Harry series.

Yet Clint's talent behind the camera is much the more dexterous and legacy enhancing, his films are at times narcissistic (especially when directing himself) and macho but there can be no doubt that Eastwood has the cinematic guile and verve to capture edge, emotion, and energy in his glorious and still bulging Back-catalogue. Be it the triumph of Invictus, the inward inflections of Hereafter to the battlefields of Heartbreak Ridge or the wild west of  Pale Rider and Unforgiven Clint pleases both fans and critics like few directors can. Executing Cat and Mouse games such as Sudden Impact (the only time he directed Harry Callahan) and Absolute Power, with even the very well judged peculiarity that is Midnight in the Garden of Good and Evil, his skills are sharp enough for any directorial challenge that at this stage in his career he chooses.

Here is my top 5

5. Play Misty For Me (1971)

Feature length debut in which Eastwood also stars, sees a casual one night stand from Clint's DJ lead turn into a murdering psycho bitch. Meshing Hitchcockian terror and dread with romance and music creating a memorable experience.



4. Gran Torino  (2008)

Moving story of racial and cultural differences, again Eastwood self-stars as a bigoted, widowed war hero who finds friendship in the faces of those he once despised, particularly a young teenager dealing with the temptations and peer pressure applied by a neighbourhood gang. A film about family, faith and friendship which engages boldly with difficult social topics.

3. Changeling (2008)

An extraordinary story symptomatic of the times in its treatment of woman and children in the American 20's and 30's. A Woman who's son is abducted and replaced by an imposter faces a battle with the police, institutionalism and a harrowing search for the truth. Eastwood again uses faith as a device in the narrative as well as corruption and bravery in this amazing tale, Angelina Jolie is terrific in her performance.



2. A Perfect World (1993)

A story of Stockholm Syndrome which finds a young boy raised a Jehovah's Witness snatched from his mother by Kevin Costner's escaped Texan convict. The proceeding journey is one of both enlightenment and self discovery, the pair grow closer to each with the same steps guiding their friendship to oblivion. Eastwood plays the Texas Ranger attempting to track the pair down in what is a brilliant part road movie part psychological thriller.




1. Mystic River (2003)

This is Eastwood's finest work, the story is Shakespearian in its sense of drama and injustice, toying with it's characters feeding them crumbs of information whilst the audience must watch on in near full knowledge cruelly powerless to stop the agony unfold. Following 2 generations of a Bostonian community whose lives are touched by secrets, murder and debilitating memories that scar the psyche.

The River is in essence a metaphor for the cleansing powers of holy water, stayed and prevalent in the lives of Boston's catholic community. The Film itself plays out like the holy trinity  The father - the family in this case the dynamic of kinship it brings. The Son - children the vessel of transcending virtues of the former and the Hollow Spirit - here the truth and its illusive, less tangible qualities. The characters likewise in this masterpiece, crimelord Sean Penn is the father powerful and ominous, victim Tim Robbins the sacrificial son and cop Kevin Bacon the sanctifying spirit - Truly amazing picture.

Tuesday 10 January 2012

New

The Iron Lady (2011)


Director: Phyllida Lloyd
Writer:
Abi Morgan 
Stars:
Meryl Streep, Jim Broadbent and Richard E. Grant




The story of how a butcher's daughter from unlikely Lincolnshire rose to become the most powerful woman of her generation, going to war half way across the world, against her own people and against the IRA, stretching the boundaries of gender equalities and leaving a legacy of being the most polarising figure ever in British politics ought to be an engrossing historical journey. The reality however sees director Phyllida Lloyd opt for a story about a senile old lady being told off for venturing to the cornershop.

The Iron Lady’s problems are in the main structural, labouring in the present and using the heft of Thatcher’s legacy as mere wallpaper. Focusing on the former Prime Minister’s crumbling psyche as she engages in clearing out her late Husband Denis’ (Jim Broadbent)  wardrobe, clumsily triggering scattered fragments of reminiscence that tell her story. Interjected are interactions with Denis which attempt to contextualise her senility and act if anything as a welcome comical instrument within these frustratingly timed interludes. 

Meryl Streep the one saving grace is also emblematic of the same problems, falling foul of the structural constraints. Of the three Thatchers we see, one being a young Margret Roberts (Alexandra Roach), Streep’s Iron Lady at the peak of her powers and service to the nation trumps Streep the frail, widowed, retiree yet the screen time is too balanced to support the accomplishments of her political career. Union Strikes, the Falklands, terrorism, resignation  are all  glossed over too briskly with little gravity and sense of importance, even more humanistic landmarks such as marriage and motherhood feel choked out of the pitiful 100 minute running time by indulging in a comparatively insignificant present.


The Iron Lady despite Streep’s resplendence is a failure, lacking edge, heart and worst of all integrity, offering little for either detractors or devotees of Thatcherism to sink their teeth into whilst also being unable to even provide anything remotely substantial or educational for newer and future generations to learn from. The great Lady, her legacy and her country deserved better.

5/10


Top 5 Biopics

5. Frida (2002)

Salma Hayeck and Alfred Molina are in fine form here in this recounting of the life of Mexican artist Frida Kahlo.




4. What's Love Got to Do with It (1993)

Explosive story of Tina Turner's battle with ,fame, womanhood and domestic abuse at the hands of maniacal husband Ike Turner, Angela Bassett turns in a physical and emotional performance.











3. Milk (2008)

Story of seminal Gay politician Harvey Milk who dedicated his life to uniting San Francisco's disparate community in the 70's. Sean Penn bagged an Oscar for best actor in a leading role here.






2. The Last Emperor (1987)

The story of how Puyi a 2 year old child  held the dynastic burden of China's final imperial chapter, epic in scale and grandeur telling a tale that shaped China's history. Bagged 9 Oscars.



1. Malcolm X (1992)

Malcolm Little ascended from small time Boston criminal to one of the most controversial figures in the American battle for racial parity in the 60's. Revered as an iconic freedom fighter by some, chastised as an inflammatory supremacist by others Spike Lee's finest film is an engaging and holistic account of a misunderstood and pivotal man in civil rights history.